The works of Japanese-American sculptor Isamu Noguchi, artist and avant-garde composer John Cage as well as others will be explored and analysed with the aim to reveal the Zen Rock Garden as a perfect example of usage of space, spatial ideals and also as a completely self-contained inspirational work of art in itself. The study will also look at various types of art and artists from both sides of the cultural divide, in particular, those who have been strongly influenced by the Eastern spatial concepts. To circumvent this problem, the focus will be on comparing the different approaches between Eastern and Western culture by using Japanese Dry Landscape Gardens (Karesansui), also known as Zen Rock Gardens, as a prime example to demonstrate the connection between garden principles and Zen spatial philosophies on Emptiness or the Void. Any discussion about space will be an immense task, due to the complexity and ambiguity of the subject matter. (Undergraduate Dissertation on Space & Art) The aim of this study is to describe the different ways in which the concept of Space is grasped and expressed through art. This paper argues that Huet's experience in Japan pinpointed the need for new tools that can tackle intercultural issues in architectural criticism. We will consider in particular the Western interpretation of the Ryōan-ji dry garden, a historical survey of which was given by Shoji Yamada Shots in the Dark, Japan, Zen, and the West (2009). We will show that Huet's comments since 1986 constitute a pioneering critic of the mythologization of Japanese culture. In them, she calls for giving more consideration to the direct experience of works of art, with less emphasis on their interpretation. In discussing how Huet framed buildings and gardens in his photographs, as well as his comments on them, we will refer to the propositions given by Susan Sontag in her essays Against Interpretation (1961) and On Photography (1977). Our findings are constituted firstly by an analysis of Huet's Japanese photographic collection of 720 images archived at Belleville, next by a study of his archives at IFA (opened since December 2014), and finally by bibliographic research. This paper questions the input to Huet's architectural thinking that resulted from his visits to premodern architecture sites throughout Japan in 1964. In 1969, he created the Unité Pédagogique 8 in Belleville School of Architecture where he taught. Following these trips, Huet acted as one of the most important leaders in the renewal of architectural thinking in France. Zen garden ideas: 11 ways to create a calming, Japanese-inspired landscape in your backyard. With a desire to question architectural specificities, he travelled to Asia for a year, a sojourn that included a six months' course in Japanese architecture at Kyoto University with Prof. From 1962 to 1964, he studied for his master's degree with Louis Kahn in Philadelphia. 1932) was educated in Indochina before moving to France, where he received his architect's diploma from the Ecole des Beaux Arts in Paris. Some older examples are also found in Kamakura, including the early Zen gardens of Zuisenji and Kenchoji.Theorist Bernard Huet (b. Many gardens from this period still survive in Japan, especially in Kyoto's leading Zen temples, such as Ryoanji, Daitokuji, Tenryuji and Kokedera. The Ryoan-ji garden is open 8am to 5pm from March to November, and 8.30am to 4.30pm from December to February. The most extreme development towards minimalism was the Karesansui Dry Garden which uses nothing but rocks, gravel and sand to represent all the elements of the garden landscape. ‘Japanese Zen Gardens’, by Yoko Kawaguchi, published by Frances Lincoln, £30. Gardens also became smaller, simpler and more minimalist, while retaining many of the same elements as before, such as ponds, islands, bridges and waterfalls. Gardens were often built attached to temple buildings to help monks in meditation and religious advancement rather than for recreational purposes. Japan's leading contemporary Zen garden designer, Masuno Shunmyo, an 18th-generation Zen priest, explains this connection between Zen and the arts: 'Through Zen ascetic practice, an. The military rulers embraced the newly introduced Zen Buddhism, which would exert a strong influence on garden design. Pure Land Garden (Motsuji Temple in Hiraizumi) Kamakura and Muromachi Periods (1192-1573)Īt the beginning of the Kamakura Period a shift of power from the aristocratic court to the military elite was completed.
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